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It’s this first feature that so many make – award winning but small first films. It’s exactly here that I think this Producer MUST wake up and look at their first film as a business – they crucially now need to make money from this first feature or they won’t survive to feature number two. Generally living hand-to-mouth with development bursaries, consultancy work and grants trying to break into their career with the their first feature. There are several types of producers, as follows: The Emerging Producer Will this mean an ever greater spread of middle class producer growing through the industry? In years to come, will film producing be a hobbie solely for those who don’t need to pay the rent/mortgage each month? This is a terrible day for diversity, and for the future of film producing. In years to come, will film producing be a hobbie solely for those who don’t need to pay the rent/mortgage each month?ĭevelopment deals barely reap a fee of a few thousand pounds (!!) for the producer and as for the big lucky winner of a fully financed production, I hear more and more that Film Producers are being asked to defer their fee by third party financiers to ‘put their money where their mouth is’ or ‘some skin in the game’.

I’m hearing constantly from Producers that they earn nothing like these percentages anymore. I remember the days as a Producer in the Noughties, where out of every budget (development and production) the producer received 10% as a fee and 10% for the Production Company fee which they could then invest into further films. A Film Producer Salary is firmly not what it once was… Miranda Fleming, Head of Film & Creative at Indiegogo Let’s be blunt about it: the financial outlook isn’t great for Film Producers at the moment.

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